Men have long sought an exit from an oppressive culture – it drove them across oceans into the unknown in the past
Rookh Kshatriya is the creator of the Anglobitch blog, The Anglobitch Thesis and the author of Havok: How Anglo-American Feminism Ruined Society.
The overriding ethos of this blog is not merely escape from Anglo-American misandry; but rather, active pilgrimage towards a better, more exciting and adventurous mode of life. But Relampago Furioso is not alone in this quest for a more fulfilling, man-friendly existence. There are many precedents in America’s illustrious cultural history, and their inspiration has a surprising origin.
Jon Krakauer’s fascinating book Into the Wild was inspired by an affluent youth named Christopher McCandless who dropped out of conventional society before dying of starvation (or food poisoning) in the Alaskan wilderness. Although his short but adventurous life ended in 1992, the bus where he died is still a place of pilgrimage. Sean Penn’s poignant film subsequently cemented McCandless’ place in modern American culture as an icon of dissidence and restless alienation from the established order.
However, McCandless is not such an idiomatic figure. A distinctive strand of transcendental alienation has always defined the American male. It is present in the Hudson Valley School of painting, in leather-stocking Romances, in Westerns, in the novels of Henry Miller and Jack Kerouac, in the memoirs of Jack London and Henry Theroux, not just the lives of Christopher McCandless and RF. While there is a disturbing strand in Anglo-American culture leading inexorably to feminism, machine values and secular Puritanism, there are alternative ideals or memes within the culture from which awakened men can also take inspiration.
The Masculine Quest is undoubtedly the most potent of these; and the one most at odds with secular Puritanism. But where did this distinctive American meme originate? If Anglo-Saxon commercial Puritanism were the sole ingredient in American culture, such dissidence would simply not exist. Fortunately, Anglo-American matriarchy, secular Puritanism and crabbed legalism are not the sole ingredients of American culture, as we shall see.
In his tremendous book, Albion’s Seed: Four British Folkways in America, David Hackett Fischer identifies four different strands in American culture: Scots-Irish ‘backwoods’ culture, southern Cavalier culture, Yankee industrial-commercial culture and Puritan New England culture. These all have distinct origins in Britain: the Scottish Borders, Southern England, the English East Midlands and East-Anglia, respectively. And they all persist in modern America, however distorted by time and circumstance. Backwoods culture still defines rural American life, and its participants are Hillary’s ‘deplorables’; Cavalier culture still dominates Southern middle-class life; Industrial-Commercial culture rules Wall Street, Silicon Valley and the Pacific North West; while Puritan culture dominates law, academia and government.
Obviously, the Puritan-Industrial strains stand together, as do the Backwoods-Cavalier strains; and these pairs are mutually antagonistic. While the Backwoods-Cavalier strands are transcendental, hedonistic and masculine, the Puritan-Industrial strands embody all the crabbed, mechanistic, matriarchal, legalistic, repressive drivel we loathe in this quadrant of the Manosphere.
Sadly, the Puritan-Industrial strand has now achieved almost complete dominance in the United States. Southern defeat in the Civil War was the beginning of this Yankee stranglehold, which their political dominion has only strengthened (Check out Clyde Wilson’s The Yankee Problem: An American Dilemma (2016) for a scathing study of this ongoing programme). In fact, misandrist Anglo feminism is really just one part of a transplanted Yankee Puritanism with distinct origins in Eastern England (East Anglia). The puritanical tyrants Oliver Cromwell and Margaret Thatcher both came from this region of England, interestingly enough; which was already a distinct kingdom defined by religious fanaticism 1500 years ago.
In cultural terms, the awakened American male’s ‘Masculine Quest’ expresses a desire to escape the dominant Anglo-Saxon Puritan-Industrial culture. Indeed, the pan-Anglosphere men’s movement as a whole can be viewed in these terms. The Quest is really just part of an ancient but ongoing struggle for male freedom from the oppressive binds of ancient cultural memes originating in the British Isles. The Matrix and the Quest, the Blue Pill and the Red; in most respects, these conflicts fit neatly into the Backwoods-Cavalier / Puritan-Industrial dichotomy described above. Obviously, the virgin beauty of the vast American landscape has lent the American dissident’s Masculine Quest a lyrical quality that British masculine resistance to Puritan-Industrial oppression lacks completely. While the British staged the Mutiny on the Bounty simply to escape repression and the lash, the American male retreats into the wilderness, travels to Europe or pens On the Road – in short, does lyrical things.
American men still have an optimism that other men lack. Aldous Huxley suggested this was partly a product of social selection: the most spirited, hopeful and adventurous left Europe to find freedom in America. Exploration of the wilderness by fearless pioneers only heightened this daring spirit: And for all its faults, American liberty still inspires the world. However, the pioneering spirit now only exists among America’s dissidents fleeing the Puritan-Industrial Matrix in pursuit of personal fulfilment.
The current debate over gun ownership is always couched in political, legal or criminal terms. From my perspective, the issue is a spiritual or cultural one: for the gun is simultaneously an American symbol of wilderness, freedom and virility. Abolishing the American’s right to bear arms would instantly abolish Backwoods-Cavalier America and its unique, questing transcendentalism… which is, of course, why America’s secular puritans and their feminist allies are so obsessed by restricting access to firearms.
The New Modern Man’s conceptual toolkit is only enriched by knowing the true origins of the cultural memes he confronts on a daily basis. When the Awakened man knows where he stands in the wider scheme of history and culture, it gives his life epic gravitas and decisive purpose.
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