Tag Archives: Rammstein

Rammstein Features Masculine, Red Pill Themes in Their Music

pyro

Pyrotechnics are a staple of Rammstein’s live concerts as they also burn gynocentric and globalist narratives

Unless you speak German, may surprise you to know masculine, Red Pill themes are nothing new to Rammstein. They’ve been recording music challenging conventional wisdom on everything from getting married, to puss pedestalization, Beta Bucks providers, the Hedonic Treadmill, Predatory Females, and globalism for a quarter of a century. This article will serve as an introduction to a few of their best Red Pill pieces.

Even though you might not know what their music is about, you may be familiar with the name. Rammstein is a popular Neue Deutsche Härte industrial rock band from Germany. Formed in 1994, they have sold 35 million records worldwide. Their award-winning concerts are renowned for their use of live pyrotechnics, and their lyrics definitely don’t conform to notions of political correctness.

They promoted freethinking ideas and politically incorrect men’s self-interest before the film The Matrix was even released and the term Red Pill coined. For that reasons, they’re musical pioneers in the men’s movement. These are some of the music videos and lyrics that echo popular sentiments in the manosphere.

Du Hast: The Anti-Marriage Song

Led by Till Lindemann, Rammstein scored their best known hit back in 1997. The lyrics of the song are clearly about avoiding the marriage trap:

You
you have
you have me
you have asked me
you have asked me and I have said nothing

Do you want, until death separates you,
to be faithful to her for all days
No!!

Do you want, until death, which would separate,
to love her, even in bad days
No!!

The lyrics can also be interpreted to mean “You have trapped me” in another interpretation of the meaning of Du Hast.

The video has dual meaning. Adding to the song’s theme of avoiding marriage for a life of male freedom and dignity, we see a woman in a red dress speeding to a warehouse with her lover in tow. A woman in a red dress is often used in art to symbolize socialism, and feminism/male oppression has been packaged with socialism in the West.

Her lover pulls a gun out of her handbag, ready to do her bidding. As her lover prepares to enter the warehouse, we next see men in masks, perhaps representing the elite fat cats he would be enslaved to in order to provide for this woman upon marrying her.

Once entering a dilapidated building in search of his target, the man driving the car realizes his friends are wearing the mask as a ruse, perhaps as a warning of the type of life he’ll have upon taking the vows. The men in the warehouse are screaming in the face of an unseen person, who is a symbol the of the state apparatus who subjugates men once they submit to a female and get married. After taking the masks off, the men all have one last hurrah together.

The woman, all the while, is nervous that she will not be able to subjugate him, and paces nervously outside, hoping he doesn’t uncover the ruse. The men then burn the symbolic state apparatus in the warehouse, and decide that freedom and male brotherhood is more important than becoming an indentured servant then exit the warehouse.

Upon realizing that the lady in the red dress (symbolizing socialism/feminism and a wife/slaveholder) was only using him to do her bidding, he returns, friends in tow, and the car explodes, taking the woman with it, a powerful expression of a man refusing to submit to either socialism or feminist orthodoxy.

Sonne: The Pedestalization and Beta Bucks Song

The theme of this video is based on the German fairy tale Snow White and her Seven Dwarfs. We all know most Western women see themselves as the equivalent of Snow White, and her Beta Orbiters are the equivalent of her Seven Dwarfs (or more) that she uses as meal tickets. Sonne uses these storybook icons to symbolize the typical, pedestalized Western woman and her supplicating Beta orbiters.

As the video begins, we find the Seven Dwarfs (i.e. Beta orbiters) slaving away in the diamond mine trying to find a gem that will satisfy the princess. Early in the video, Snow White initially accepts the offering of one of her servants, but quickly slaps the shit out of him once she has accepted his offering. Mirroring reality, women almost always mistreat Beta orbiters, well, because there are so many begging for a turn to mate with her. All the while, Snow White as symbolized in the video has a sadistic side, seemingly enjoying the mistreatment of her dwarfs/Beta orbiters.

Midway through, Snow White snorts some golden powder (clearly symbolic of cocaine), retires to a bath, and later dies. Her death can be seen two different ways: either she dies from overindulgence in the “powder” made possible by her Beta male slaves, or one of the dwarfs gets sick of her bullshit and poisons her. In any case, she is taken to the top of a mountain and laid to rest, only to have an apple fall into her hand at the last minute. This has the effect of giving her a second chance at life to the delight of her Beta dwarfs, and possibly to the chagrin of the dwarf who wanted to get rid of her.

Back to the diamond mine, boys.

Rosenrot: The Hedonic Treadmill and Predatory Female Song

Another song that shows men how manipulative females can be is Rosenrot. These selected lyrics tell the story of how a man will literally face his own doom if he hops on to The Hedonic Treadmill in an attempt to appease a woman with material things.

A girl saw a little rose
It bloomed there in bright heights
She asked her sweetheart
if he could fetch it for her

She wants it and that’s fine
So it was and so it will always be
She wants it and that’s the custom
Whatever she wants she gets

At his boots, a stone breaks
He doesn’t want to be on the cliff anymore
And a scream lets everyone know
Both are falling to the ground

In other words, supplicating to female desire will end up in disaster for the male as he takes himself to the edge of a figurative cliff only to fall off. These lyrics assume the couple is married, in which case both fall off the cliff into financial ruin. However, in modern times the female will just jettison the used up Beta provider and leave him to fall off the financial cliff alone.

In the Rosenrot video, a young girl manipulates a priest into killing for her in true predatory female fashion, then when he has performed his duty, thereby becoming useless to her, and she no longer needs his utility, she’s first in line to burn him at the stake. This shows the fact women have no shame and they have no loyalty when it comes to dealing with men. Be careful! Both the lyrics and the video serve as a dire warning to men who supplicate to female desire without thinking of their own self-interest.

Amerika: The Anti-Globalism Song

Another song and video that has manosphere themes is Amerika. What makes it all the more impressive is it was released back in 2005 before globalism even became a mainstream idea. Back then, the idea American corporations were scheming to take over the world would surely have been chalked up as some “crazy conspiracy theory.” But, a decade later the intentions of globalists are plain as day to those of us in the manosphere.

Of course, the song and video is about America infecting the rest of the world with its empty, materialistic culture through mass media, brainwashing other cultures of the world, and turning them into mindless consumers. As the lyrics warn, “freedom” is the product that’s being marketed, but what’s really being sold to people is chains.

We’re all living in America
America is wonderful
We’re all living in America
America, America

When there’s dancing I want to lead
even if you’re whirling around alone
Let yourselves be controlled a little
I’ll show you how it really goes
We’re making a nice round dance
Freedom is playing on all violins
Music is coming out of the White House
and Mickey Mouse is standing in front of Paris

We’re all living in America
America is wonderful
We’re all living in America
America, America

I know moves that are very useful
and I will protect you from missteps
And whoever doesn’t want to dance at the end
doesn’t know yet that they must
We’re making a nice round dance
I will show you the way
Santa Claus is coming to Africa
and Mickey Mouse is standing in front of Paris

We’re all living in America
America is wonderful
We’re all living in America
America, America

We’re all living in America
Coca-Cola, Wonderbra
We’re all living in America
America, America

This is not a love song
This is not a love song
I don’t sing my mother tongue
No, This is not a love song

We’re all living in America
America is wonderful
We’re all living in America
America, America

We’re all living in America
Coca-Cola, sometimes war
We’re all living in America
America, America

The song and video both illustrate a world in which corporate American business interests will try to consume the entire world and turn us all into braindead consumers. “We’re all living in Amerika” is a prophecy about what kind of world American business interests want to socially engineer in the 21st century. If they have their way, the entire world will be cannibalized, and the world’s population will literally be “living in Amerika” as the country culturally expands beyonds its borders.

rammstein_group

Red Pill Before Red Pill Was Cool

As you can see, Rammstein’s music and videos make bold statements about everything from the relations between the sexes to the effects globalism will have on wrecking the world’s cultures. It’s obvious they know the “diversity” pushed by major corporations will only serve to destroy true diversity as everyone becomes corporate drones enslaving themselves with their own desires to buy unending products they don’t really need.

Rammstein’s music is also a good way to learn German, one of the most widely spoken languages in the world. While Rammstein illustrates one aspect of the German language (the harsh-sounding, rough side), if you delve deeper into the language and music it can also be one of the most tender, emotive languages you’ve ever heard. The similar artist Unheilig is a good choice for those wanting to hear the emotional range of German. Unheilig does both hard rock and soft rock, and showcases the stunning versatility of the language.

More than anything, these videos make it enjoyable to realize that men actually have a musical ally amongst the world’s popular musicians. It’s not all Miley Cyrus and other degenerate sluts…yet.

Help us grow by making a purchase from our Recommended Reading and Viewing page or our Politically Incorrect Apparel and Merchandise page or buy anything from Amazon using this link. You can also Sponsor The New Modern Man for as little as $1 a month.This The New Modern Man article originally ran on Return of Kings.

“Praise Abort” Music Video Perfectly Illustrates Degenerate State of American Culture

If ever a music video perfectly encapsulated the state of a culture as it begins the long slide into the abyss, Lindemann’s new joint (yes, that Till Lindemann of Rammstein) does just that with a combination of words and images set to grinding Neue Deutsche Härte music. From the intro to the video to the end, the total degeneracy of a decadent, nihilistic, suicidal and demographically moribund society come to life in an artistic setting.

The hook is catchy as hell. American leftists definitely love to “Praise Abort” as in praising abortion to get them out of their sexual irresponsibility and carouseling mishaps. Till even touches on the modern Beta male willingly let himself be cucked by his wife even though he hates the lifestyle. (I actually know a big, brawny Hispanic guy who gets cucked by his Anglo wife all the time and yet accepts it as part of their “marriage.”) What the fuck?

I hate my life, and I hate you
I hate my wife, and her boyfriend, too
I hate to hate, and I hate that
I hate my life so very bad
I hate my kids, never thought
That I’d praise abort
Praise abort

As the “pig” in the music video has a symbolic abortion, and the female “baby pig” is shot in the head by a figurative abortionist, these telling lyrics play on:

Say goodbye, say goodbye
We rise up, up to the sky
Say goodbye, we’ll come back
Soon as pretty butterflies
Make you cry

All in all, this is just one great song serving as an astute synopsis and critical analysis of Anglo America from an album from Lindemann called Skills in Pills, his first album in English. Praise Abort even touches on the gay agenda with the line So in the end, I got forced to stay away from female intercourse. Social engineering, anyone? The lyrics do provide some insight as we are definitely seeing homosexuality pushed and heterosexuality marginalized in the 21st century.

One could call the entire album a work of art in that it captures so many of the lows of living in the modern West so accurately, especially in the song “Fat” which says We can fuck then, on your French fries. All that’s missing is a big old feminist to star in a music video for that one. Then there’s “Cowboy” detailing the one of the declining, iconic images of the nation. Other interesting takes include the title song “Skills in Pills” about a man medicating himself against reality. (America has 5% of the world’s population yet uses 80% of its narcotics). Then there’s “Ladyboy” a gender bending song that’s right at home in the weirdo culture of today. Those are perhaps the most memorable tracks, but the entire album is a great listen if you take it as a tongue in cheek description of everything that’s so screwed up today.

It’s a long way to the bottom, but we’re getting there. And at an ever increasing rate of speed.

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New Music Videos Give the Finger to Political Correctness

Finger

New videos show a definite trend towards challenging the long-established narrative

Neue Deutsche Härte is an exciting music genre for those of us who enjoy challenging Cultural Marxism a.k.a. political correctness and misandry (male hatred.)

It has origins in the 1990s in Germany. Thanks to the dearth of hard rock in the United States over the past couple of decades, NDH has gained increasing popularity. In the past, I have written about bands like Rammstein who have bucked the trend of simping for pats on the head from women.

Things have only gotten better. Within the last year, not only has Rammstein‘s Till Lindemann released his own solo project in English, but another major NDH band Eisbrecher has also been challenging the narrative that women are innately better than us knuckle-dragging men. Behold, glorious new examples!

Wild Women Forced into Captivity

First up is Lindemann with Fish On. A little background first. This video really turns the whole feminist narrative upside down. It is based on Slavic folklore. The half-naked women are Samodivas. Samodivas are beautiful but lead men into their forest fires, burn them alive, and eat them. And, get this, the “monsters” are Kukeri, who bring prosperity.

So, by capturing the women and forcing them into the “house” the Kukeri light the torch (in this case the light bulbs) of civilization and throw a party. Everything is going just wonderfully until the women escape control.

Once they escape control they promptly kill the bringers of prosperity, the Kukeri, and run back off into the wild. A better metaphor for Western Civilization I cannot think of. Western women are out of control and are proceeding to destroy the civilization. At least, that is my interpretation of this video.

There’s Nothing More Between Us

Eisbrecher‘s fantastic entry also challenges the feminist “eternal victim” narrative. The lyrics, translated to English, mean “There’s nothing more between us.” Of course, this is the chick telling this to the poor bastards in the video (a nice representation of how no man can satisfy a Western woman anymore).

Throughout the song the man gets more and more aggravated, as she continues to go through a litany of complaints while he runs around with his ass on fire trying to fix everything she is complaining about.

The video ends with an obvious setup by the marriage counselor. As soon as he discovers the entire counseling session is a ruse, a SWAT team comes in promptly to arrest him.

A better Red Pill music video I have not seen.

Here are the lyrics for Zwischen Uns translated to English. The lyrics are a testament to the uselessness of Beta male simping.

Worlds between us
I’ll throw them off their orbit
The desert between us
I’ll go through it
The jungle between us
I’ll load my rifle
The ocean between us
I’ll drink the whole thing
Doubts between us
I’ll clear them all up
Walls between us
I have a hard fist
The woods between us
I have a chainsaw
And I’ll find myself a way
I race for you
I burn for you
I won’t run from any trouble along the way
Still there is nothing more between us
I run for you
I hang myself for you
I want your heart to beat only for me
Still there is nothing more between us
Still there is nothing more
Mountains between us
I’ll blow them all us
The stars between us
I’ll bring them down lower
The future between us
I’ll make it safe for you
The drama between us
I’ll find a new writer
Parents between us
I’ll charm them
Career between us
I’ll fill in all the gaps
Stones between us
I’ll get them rolling
And then kick it into overdrive
I race for you
I burn for you
I won’t run from any trouble along the way
Still there is nothing more between us
I run for you
I hang myself for you
I want your heart to beat only for me
Still there is nothing more between us
Still there is nothing more
The bouncer between us
I’ll let myself in
Tables between us
I’ll hack them to bits
That guy over there between us
I’m afraid he’ll have to go now
This moment between us
I’ll make it the right one
Ice between us
I’ll break through it
Words between us
I’ll stop talking
Three steps between us
I’ll catch your attention
And pull you in
Until nothing, nothing, nothing more
Stands between us
And I finally feel your heartbeat
I race for you
I burn for you
I won’t run from any trouble along the way
Still there is nothing more between us
I run for you
I hang myself for you
I want your heart to beat only for m
Still there is nothing more between us

Both of these singles came out in 2015. With the rapid growth and success of the NDH genre in Europe over the past couple of years, hopefully we will see more Red Pill music coming down the pipeline. Stay tuned.

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